Page 21 - Studio International - June 1972
P. 21

`genuinely massive ignorance'—an          Report from                               planning a wide ranging purchasing programme
           unpardonable blindness to or avoidance of the                                       that will exceed the scope of traditional
           real difficulty of substantiating as 'meaningful'   Canada                          collecting.
           any assertion made in consequence of the
           abandonment of the 'material-character/                                             ARC (Art Research and Confrontation), that
           physical-object' paradigm. As always, the last                                      part of the Musée d'Art Moderne de la Ville de
           effective supporters of the ailing status quo                                       Paris which deals with new trends in different
           are those whose 'revolutionary' principles are                                      countries, is planning an exhibition for March
           characterised by the abandonment with which                                         1973 to cover those trends in Canadian art. The
           they seem to greet its decline.                                                     selection is currently being made by Pierre
             Inevitably there have been anomalies                                              Gaudibert and Suzanne Pagé of the Musée,
           within the workings of Art-Language itself,                                         which, with the Canada Council, is co-
           within the relationship between the journal                                         sponsoring the show.
           (as a medium for work of a certain kind) and the
           other work of its contributors (particularly in                                     Vanguard is a monthly visual newspaper
           terms of the employment of different-often                                          dealing with events of general cultural interest
           contradictory—paradigms of economic                                                 in and to British Columbia, that has been put
           practice), within different positions taken by                                      out by the Vancouver Art Gallery since January.
           different contributors at the same time or the                                      It is hoped that communications will improve
           same contributors at different times.                                               with what Tony Emery, Director of the Gallery,
           Consistency is not, however, what one                                               refers to as their 'Parish' of members, visitors,
           necessarily strives for in a context of theoretical                                 artists, students and interested individuals. In
           discourse to which there are several                                                the latest issue the Gallery announces 'Scan:
           contributors. Something more like                                                   A Survey of Canadian Art Now,' an exhibition
           'defensibility' is what one might aim at; and of                                    in slide form of artists working in Canada in
           course there can be ideological 'implications'                                      whatever media can be represented or
           here which are not ideological 'constraints'.                                       documented in the form of ein. transparencies.
           Personally I have little time for the advancement                                   The intention is to permit the inclusion of more
           of art under an ideological banner; it always                                       artists showing a larger number of works in a
           seems to lead to an abandonment of theoretical                                      broader range of media than is possible in the
           sophistication in the search for consistency.                                       traditional exhibition of works as objects ... to
           'The problem shifts from one of "refutation"                                        present a cross-section of what Canadian artists
           or "prohibition" to a problem of admitting or                                       have on their minds, and what they are doing/
           resolving inconsistencies between associated   The painter Gershon Iskowitz of Toronto and   making. (Entry forms, for any artist resident in
           "theories" ' (Michael Baldwin).           the sculptor Walter Redinger of West Lorne,   Canada, are available from Scan, c/o The
             There have been and are as many keepers of   Ontario, are representing Canada at the 36th   Vancouver Art Gallery, 1145 West Georgia
           the ideological conscience of Art-Language as   Venice Biennale. Iskowitz was born in Poland   Street, Vancouver 5, B.C.)
           there are individuals concerned with the journal.   in 1921; surviving Auschwitz and Buchenwald
           There are certain implicit ideological    he came to Canada in 1949. He says of himself:   Another new publication File comes out in
           commitments held in common among those    'All my life I've been searching. I don't give a   the format of Life magazine under the auspices
           individuals; but no ideology has yet been   damn about society. I just want to do my own   of General Idea in Toronto purveying news and
           formulated to which all the same individuals   - work-to express my own feelings, my own way   gossip about some aspects of Canadian art/life.
           would subscribe. This is, of course, one of the   of thinking. Painting is just an extension of   It is developing an Artists' Directory to file the
           chief strengths of the association. A British   myself. It's a plastic interpretation of the way I   names of all Canadian artists involved in mailing
           tendency toward intellectual scepticism has   think. It's just me.' Eight canvases done since   exchange or related concerns, along with a large
           been at least as effective in maintaining this   1967 will be shown in Venice. Of their large,   number of American correspondents and a few
           flexibility as any 'fastidious' disatisfactions   colour-filled spaces, which originate in, but   international clearing houses. (Address :
           generated by a search for high theoretical   seem to go beyond, references to the northern   Artists' Directory, 87 Yonge St Toronto t,
           standards. The basis of the association in   landscape, he says : 'My paintings are not   Ontario, Canada.)
           personal rather than ideological relationships   abstract. They're real. They're very, very much
           has also been important. 'No man is a prophet   real. I see those things.'          'Art and the Courts : France and England
           in his own country'. It has needed the       Walter Redinger (born 1940), who has been   from 1259 to 1328' is a major exhibition of
           imagination of the French to turn Art-Language   working in large-scale cast fibreglass since 1963,   Medieval art organized by the National Gallery
           into an intellectual holy cow. Some amusement   is represented by his latest piece comprising   to explore an aspect of the background of
           is to be derived from watching their attempts   eight units  -Klonos which is 'violent and   Canada's two founding cultures. It runs
           to milk it. q                             confused motion'. It has been acquired by the   through May and June in Ottawa. Embroideries,
           CHARLES HARRISON                          National Gallery.                         ivories, illuminated manuscripts, stained glass
                                                                                               and ceramics are among over one hundred
           [The above was written to introduce an anthology   The collection of contemporary Canadian art   works of art which have been borrowed from
           of writings by the editors of Art-Language, published   built up since 1966 by the Canada Council for   France, England, Germany, Belgium, the U.S.
           this month in German and English by Dumont
           Schauberg Verlag. Art-Language is published three   a total of $90,000, which has been travelling   and Canada. The exhibition is accompanied by
           times a year and is available in the UK from 103   across the country for the last two years, has   a two volume catalogue, an illustrated book
           Clarendon Street, Leamington Spa, Warwickshire   been sold to the Department of External   Court, Church and Castle by Margaret Wade
           (price 75p), and in North America from 25o Bowery,
           New York City, N.Y. 10012 (price $3). The editorial   Affairs for $I50,000. There are serious rumours   Labarge and two films produced for the occasion
           board of Art-Language (Terry Atkinson, David   that the Council, which aids development of the   by the National Film Board on Exeter Cathedral
           Bainbridge, Michael Baldwin, Ian Burn, Charles   arts, social sciences and humanitites largely   and Saint-Urban de Troyes. q
           Harrison, Harold Hurrell, Joseph Kosuth and Mel
           Ramsden) are participating in 'Documenta 5'.]   through grants to artists and researchers, is    CHARLoTTE ToWNSEND
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