Page 39 - Studio International - September October 1975
P. 39

17. Nut and Bolt Factory,
      Cincinnati, c. 1971. A comment
      on the regular architecture, the
      work inside and the product                      18. S. I. T. E. (Sculpture in the
      produced. (Photo,                                Environment Group).
      Environmental                                    Richmond Peel, Richmond,
      Communications).                                 Virginia, for BEST Products
                                                       Inc., 1972. The sculpture of
                                                       this group grows out of the
                                                       architecture and situation at
                                                       hand. (Photo, Environmental
                                                       Communications).



























       19. Knott's Berry Farm,                               20. Hamburg Street Scape, 1974.
       Bungalow, c. 5965, Los Angeles.                       Taking their cue from
       Cracks and age are built in and                       Wash 15 C (4, 5), a lot of artists
       never change. (Photo, Jencks)                         are painting streets on streets,
                                                             especially those that have been
                                                             destroyed. The ARAU Group
                                                             in Brussels uses this
                                                             convention as a form of protest
                                                             against total urban renewal.
                                                             (Photo, Der Spiegel)




















       21, 22. C. Jencks, Doorknobs,
       London, 1974. Doubling the
       doorknobs, adding double lights
       above the doors and painting
       trompe l'oeil doorways (painted
       by Dorothy Girouard) adds to
       the choice and confusion.
       (Photo, Jencks)
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