Page 39 - The Studio First Edition - April 1893
P. 39

The Fitzroy Picture Society

                                                6s. respec-  then enlarged ; owing very possibly to his fond-
                set noticed, at 14s., 18s., and
                tively.                                     ness for broken line, which is a little confusing
                  Another set, Mighty Men of the Old Testament,
                also by Mr. Heywood Sumner, shows singularly
                unhackneyed expression of the themes, which are.
                nevertheless, highly conventional in treatment, and
                enclosed in decorative borders that impart a feeling
                of completion to the design.  The Judgment of
                Solomon is specially worthy of note for its symme-
                trical arrangement of the figures at either side of
                the youthful king. By a happy use of sufficient
                archeological detail to give local colour—the designs
                are quite distinct in style from the " old masters "
                with their marvellous costumes of shapeless robes in
                vivid colours, which heretofore have been considered
                essential in draping all the actors in Biblical story,
                without regard to their nationality or period. The
                David and Goliath  is also a new and effective
                grouping of an often-painted subject—whether the
                solid black figure of the giant's attendant is entirely
                successful may be open to question ; but the set as
                a whole deserves almost unqualified praise.
                  The Pattern Life, by  Mr. Christopher W. Whall,
                the last series to be noticed, is uniform in size and
                price with that by Mr. Selwyn Image—but its
                drawings are more pictorial in character. The charm
                that distinguishes Mr. Whall's drawing is apparent,
                and the colour, notably in the Lesson of the Cross,
                is admirable. The touch of childish trouble in the
                                                               FROM THE " JESUS HOMINUM SALVATOR " SERIES,
                little figure at the foot of the Cross crying over its
                                                                          BY SELWYN IMAGE
                slate whereon two and two make five, is a happy
                one, that recalls the naive treatment of the old  and spotty for work on this scale. But any minor
                                                                              blemishes are too trivial to
                                                                              notice if weighed against the
                                                                              undoubted success of the
                                                                              whole of the various series.
                                                                              We trust the Fitzroy Picture
                                                                              Society (20 Fitzroy Street,
                                                                              London, W.) will find their
                                                                              excellent effort so warmly
                                                                              supported by the public,
                                                                              that they may issue many
                                                                              more works of a similar
                                                                              character. It would be pos-
                                                                              sible to use the pictures for
                                                                              permanent wall decoration,
                                                                              and as secular subjects are
                                                                              included, not only should
                                                                              nurseries and schoolrooms
                                                                              be rendered more habitable
                                                                              by their use, but they may
                                                                              help to impart bright colour
                                  Mr. Whall's pictures have a
                Dutch illustrators.  	 to halls, staircase, and other parts of private houses,
                certain air of being wrought to a smaller size and   that are too often dull and gloomy.
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