Page 65 - Studio International - February 1967
P. 65
New York
20
Manuscript 1912-20, notes by Marcel Duchamp,
are part of a recently-found collection of Duchamp's
jottings and ideas, which Cord ier and Ekstrom Inc.
978 Madison Avenue, have published in facsimile,
entitled by Duchamp A L'lnfinitif. The publication
of a limited edition of 150 signed boxes in cardboard
and plexiglass containing Duchamp's notes in
facsimile and an English translation.
21
Untitled 1966, enamel, plywood, fibreglass,
48 x 24 x 12 in., by Cary Kuehn (col. Robert Scull,
New York) at B ianchini Gallery, 50 West 57th Street,
from February 4to March 8. Kuehn's teaching
experience included Rutgers University where he
also studied. He was recently awarded a grant by
the National Council on the Arts. (Price range:
$400 [£140]—$2,500 [£890].)
22
Cezira 1960, enamel on canvas, 122 x 73 in. (private
collection, N.Y.) by Frank Stella, on view until
February 28 at the 10th anniversary exhibition at
Leo Castelli Gallery, 4 East 77th Street. The
exhibition presents a comprehensive view of the
gallery's exhibits over the years and includes recent
works of artists affiliated with the gallery.
23
Three Arches 1966 by Herbert Ferber in an
exhibition from February 11 to March 2 at
André Emmerich Gallery, 41 East 57th Street.
24
Sitting... (View 1-10 blocks) 1966, tempera on board
and plastic, 15x 15x 15 in. each by Oyvind
Fahlstrom, in an exhibition of his new work at
Sidney Janis Gallery, 15 East 57th Street to February
25. Born of Swedish and Norwegian parents,
Fahlstrom went to live in Sweden in 1939. He studied
history of art and archaeology, wrote plays, poetry
and critical articles, and in 1953 wrote a manifesto on
concrete poetry. Last year he represented Sweden
in the XXXII Biennale in Venice.
25
Stateroom with Eastern Mural 1966, liquitex on
canvas, 22 x 32 in., by Malcolm Morley at Kornblee
Gallery, 58 East 79th Street—February 4-24. Morley
was born in 1931 and educated in London. His
teaching experience includes advanced painting,
drawing and design in Hewlett, New York Board of
Education. Morley had his first one-man show at
Kornblee Gallery in 1964. (Price range: $500
[£1 80]—$1,500 [E535].)
26
Ulmer Park 1925, oil on board, 12 x 16 in. by
Alexander Z. Kruse in the upper gallery of Burrell
Galleries, 955 Madison Avenue, through February 28.
Kruse has lived, studied and worked in New York
ever since his birth in 1888. He was a protege of
Henry McBride, the noted art critic, who considered
him the heir of the American Eight. In addition to
Kruse, the group show includes the work of a number
of contemporary artists. (Price range:
$200 [E70]—$10,000 [E3,570].)
27
Landscape XXII 1966, painted steel, 70 x 35 x 39 in.
by Robert A. Howard, at the Royal S. Marks Gallery,
19 East 71st Street. Born 1922 at Sapulpa, Oklahoma,
Howard studied at Phillips University and University
of Tulsa. He has participated in more than fifty
national group shows. The present exhibition—
February 4—March 1—is his first one-man show in
New York.