Page 24 - Studio International - November 1971
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in principle to subsidizing a partly commercial   hopefully will correct the problem.   enthusiastic and less critical.
      gallery-then perhaps notably similar situations   In her field, Miss Ashton is an artist capable   More than a decade ago as an executive
     are due for the same treatment. But in some   of perceptive, sensitive work. Her observations   member of the International Association of Art,
     cases the opposite seems to be happening.   about the lighting are valid and constructive   UNESCO, I attempted to gain membership
        In spite of Oxford's occasional tag of   criticism. Nevertheless, I am disappointed, even   for African States in the International
      `philistinism' which is brought about largely by   saddened, that during her visits to the Chapel,   Association ultimately hoping for a wider
     the immature behaviour and empty verbosity   she permitted parochialism, which she obviously   representation of African states on the
     of a few undergraduates, there is in and   abhors, to rape her creative powers.      biennales of Venice and Sao Paulo.
     around the City a large and constantly changing   Her preoccupation with details, with   The rough riding of politics has bumped off
     body of intelligent, sensitive people who are   imperfections, as it were, obscure the truly   Rhodesia, South Africa, and the provinces of
     keenly interested in the visual arts and who have   thoughtful comments she makes about the   Portugal in Africa.
     learnt a great deal about them, and also   Chapel. As a consequence, she denies her    In 1970 in addition to Tunisia and the United
     supported them, through the existence of Bear   readers, many of whom will never see the   Arab Republic with National Committees on
     Lane Gallery, not least during the years under   Chapel, valuable insight into Rothko's work.   the International Association of Art/Association
     the management of Nicholas Waterlow.         Of the Chapel at Vence, Matisse wrote, 'I   Internationale des Arts Plastiques, African
        If the Arts Council considers that the   consider it, in spite of its imperfections, to be   states were represented with Provisional
     allocation of its funds in any way involves the   my masterpiece'. The philosophy of this   Committees (Dahomey and Senegal) and
     public as well as the artist-and one can only   statement is applicable to the Rothko Chapel,   Correspondents (Algeria, Cameroon, Gabon,
     assume that in supporting any gallery they do-  which Rothko considered 'the most important   Guinea, Upper Volta, Mali, Morocco,
     it is hard to know why other galleries in the   project of my life.' It is also relevant to Miss   Central African Republic, Ethiopia, Ghana,
     provinces are having increased grants to cope   Ashton's work.                       Kenya, Sierra Leone, Sudan, Uganda, Niger,
     with increased costs, whilst a gallery that has   THOMAS W. FORTENBERY               Chad, Togo, Zambia and Botswana).
     been around longer than the Arnolfini, Ikon,   Virginia                                Information on African arts is obtained
     Midland Group Gallery and many others, and   USA                                    through the quarterly journal African Arts
     has certainly shown as much good painting                                            published through the African Studies Center,
     over the years, should seem to be squeezed to   Art over ecology                     University of California, Los Angeles, and
     the point where it becomes impossible for it to   With reference to your News and Notes page in   further through Cultural Events in Africa
     maintain its principles. The amount of money   your July/August issue, I suggest the following   published by Dennis Duerden of 6 Paddington
     required would obviously be so small. The   as a revised re-print of your original item six.   Street, London WI.
     alternative seems to be the inevitable collapse of   `Giant environmental art project in rocky   A very important proposal was put forward
     finances or the end of substantial but    wilderness.' Valley Curtain, an 8000 lb   by Lionel Ngakani in Studio International's
     unprofitable shows, and would be an ominous   (non-bio-degradable) nylon curtain suspended   catalogue of Contemporary African Art
     and depressing loss to the City and provinces   between two slopes 125o feet apart in the Rocky   (Camden Arts Centre, London 1969) where he
     as a whole. On the local level there is little to   Mountains ... was raised ... onI July where it   says: 'Perhaps soon, African Governments...
     show that the Museum of Modern Art or the   hung until September.                   will consider the establishment of a Pan-
     Oxford Gallery will in any way compensate for   Valley Curtain, a bright orange to withstand   African Art Institute for artists, writers,
     the loss if it comes, since their different   the sun's heat (playing on the sun's well-known   musicians and dancers'. He mentions that this
     attitudes and interests are already established,   narcissistic colour preference), in no way   could be done through the Organization of
     and inevitably a large amount of work by   disturbed the location's natural ecology, (being   African Unity but this is open to doubt
     important artists will simply not be seen here.   Art it is a law unto itself above an ecology,   since serious political differences and
        Most galleries have their ups and downs and   which is you and I and the stones in the ground.   conflicting policies in this body would ruin all
     bad shows, but Mr Waterlow's resignation   Every breath we take is simultaneously    chances for the future unity of art.
     marks a real crisis in the future of a gallery   affecting and being affected by our environment.   The suggestion is therefore made that an art
     that has for years, in spite of limited space and   But the Valley Curtain, from its immaculate   body separate from political organizations
     budget, done a real service for art, artists and   conception, through its realization and display   should come into being for the encouragement
     public, and the fact that the Arts Council   to its doubtful destruction is Art, Art transcends   of quality art in Africa and unhampered by
     presently seems so unwilling to help makes one   the natural world), and has been approved and   political pressures.
     far more than baffled by the inexplicable   endorsed by federal, state, and local authorities.   Just as everywhere else in the world the
     politics, pressures and personal quirks that   (Who, if they had attempted to present it as an   African artist, in seeking the freedom of art, will
     form an attitude so nebulous and seemingly   irresponsible environmental act, would have   ultimately have to put his art above politics.
     unaware of the real job that has been and is   been accused of using fashionable ecological   The creative artist is committed first and last to
     being done here in Oxford.                fanaticism to implement its fascist censorship.)   art even if he finds his inspiration in his
     JEFF CLARKE                               RICHARD CHAPMAN                            political or social environment. The final
     Oxford                                    Epping, Essex                              victory for art will be the final 'Propaganda for
                                                                                          Art' whatever other subsidiary commitments lie
     Rothko Chapel                             Africa Council of Art                      along the road to this ideal.
     I was in Houston for the dedication of the   Africa is at last in the throes of wrestling with   The emerging states of Africa are
     Rothko Chapel, as was Miss Ashton. I am   the future rather than the past in its attitude to   discovering the rising economic value of arts
     disturbed over her comments which appeared in   art. The techniques of wood sculpture continue   and crafts, especially its market value as
     your June issue.                          traditionally but the new artists are working   tourist art and airport art on the lowest level.
        Miss Ashton is correct about the lighting. At   with the European techniques of oil and acrylic   On the highest level contemporary African art
     the time of the dedication, the Chapel skylight   painting and the graphic arts, especially those   is bought by discerning art collectors and art
     had been heavily coated with a special light-  related to screen-printing and photography.   museums of repute.
     diffusing substance, as suggested by architect   The general European attitude towards   At these two levels art in Africa is in action
     Philip Johnson. But this proved to be no match   contemporary African art is one of benevolent   and the output will probably increase with
     for Texas sunlight. Very soon now, the skylight   tolerance with a curiosity to see quality work.   alarming speed at the lowest level and with
     will be fitted with a canvas diaper which    The American attitude is more positive, more    much less speed at the highest level, so fears are
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