Page 33 - Studio International - October 1972

Inverna Lockpez Untitled, urethane foam solid blocks, laminated polyester and Clement Meadmore Untitled, corten steel, 52 ft x 58 ft x 12 ft. Riverside Drive
fibre-glass sheeting, exterior enamel. it ft x 36 ft x 2 ft. Mock-up for Broadway and 555 Street, New York. Sculpture should be large enough to read in an outdoor
Mall, 156-157 Streets, New York. The painting of this sculpture will be done environment:and at the same time relate to human scale !Architecture creates the
with exterior paint applied by the community people during a two to three week environment, sculpture inhabits it.
period. This participation should be organized through the Neighbourhood
Action Programme and other community organizations.

(Above) Richard Hamner Untitled, corten steel, height 4o ft (front), 16 ft (rear),
53 ft x 53 ft. Mock-up of site at Pinehurst Avenue and 181st Street, New York.
`I am proposing an environmental sculpture which is involved in accentuating and
maintaining the sense of place. The site is a street stair built in 192z.' The steel
frame is suggestive of a potential building which might have occupied the space.
This suggestion of a building, and its absence, creates an added awareness and
appreciation of the open space.

(Left) Terry Fugate-Wilcox Diffusion Piece, plates of magnesium and aluminium,
40 ft x 3 ft x 1 ft. Sketch site at J. Hood Wright Terrace (George Washington
Bridge in the background). 'The essence of this type of work is the fact that the
two materials will mix or diffuse together within a determined time-span of 3,000
years at which time I will consider the piece finished. The process will be apparent
throughout this time, being visually apparent at the edges first and eventually at all
surfaces'.
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