Page 11 - Studio International - January February 1975

STUDIO

International

JAN/FEB 1975 Volume 189 Number 973
Editor: Peter Townsend Incorporating 'The Studio' Founded 1893
Assistant Editors: John McEwen
Irena Oliver Contents
Editorial Secretary: Patricia Bailey
Art Direction: Ron Saxby
Catherine Wild Publishers' statement 2
2
Advertisement Manager: Martin Rewcastle Art and the State and the State of Art
Production: Lyndon Haywood
Robyn Denny
Contributing Editors
Dore Ashton (New York) New Paintings by Ben Nicholson 10
Jean Clay (Paris) Geoffrey Grigson
Frank Whitford
Charles Harrison China's Spare-time Artists 12
Tim Hilton Guy Brett
John Elderfield
What Sculpture Is, Parts 3 and 4 16
Editorial Advisory Committee William Tucker
J. P. Hodin (International relations)
Alan Bowness
Andrew Forge Supplement: Marcel Duchamp
David Thompson
20
Joseph Rykwert Introduction: The Spectacle of Duchamp:
John Golding Anthony Hill
Publishers Marcel Duchamp as a Chess Player and One or Two
Michael Spens
D. Thomas Bergen (USA) Related Matters 23
Francois Le Lionnais interviewed by Ralph Rumney
Contributors to this issue
Robyn Denny was given a retrospective at the Max Bill on Duchamp 26
Tate in Spring, 1973. Where do we go from Here? 28
Geoffrey Grigson is a poet and critic.
William Tucker has recently published a Marcel Duchamp
collection of his essays 'The Language of A Complete Reversal of Art Opinions by Marcel
Sculpture', Thames & Hudson, London 1974.
Guy Brett is a free-lance writer, currently Duchamp, Iconoclast 29
engaged in raising money to support artists in Nothing but an Artist 30
Chile.
Anthony Hill is an artist and an Honorary Jindrich Chalupecky
Research Fellow in Mathematics at London Kupka, Duchamp and Marey 48
University.
François Le Lionnais is a distinguished Margit Rowell
scientist and chess player (see p.23). Chart of Duchamp's activities 52
Ralph Rumney is an artist and archivist.
Jindrich Chalupecky who lives in Prague, is Anemic-Cinema 53
a well-known Czech critic. Katrina Martin
Margit Rowell is mounting the forthcoming
exhibition of work by Kupka at the Review 61-80
Guggenheim Museum, New York.
Katrina Martin works at the Visual Resources
Centre Inc., New York. We wish to thank Anthony Hill for his assistance with the editing of the supplement on Marcel Duchamp. We also
wish to thank Mme Duchamp and Jindrich Chalupecky for permission to publish 'Where do we go from here ?' ;
Max Bill recently retired from the professorship of Max Bill for permission to translate and publish his article on Duchamp ; Anne d'Harnoncourt for putting us on to the
Environmental Design at Hamburg University. He has a original source for 'A Complete Reversal of Art Opinions' ; Penguin Press/Allen Lane for the loan of photographic
design office in Zürich. material; and the Nordrhein-Westfalen Museum, Düsseldorf, for the loan of the transparency of La Broyeuse de
A.R.S. (see p.52) stands for Arts Research Chocolat 1914.
Syndicate, which was founded in the late "60s.
The March/April issue will include:—
The holograph 'Where do we go from here ?' (p.28) John Golding's Power Institute lecture on Malevich; A book, complete and unexpurgated, by Marcel Broodthaers;
was given to Jindrich Chalupecky by Marcel Duchamp, and contributions by Andrew Forge, Clement Greenberg, Irving Sandler and William Tucker. It will also contain a
Schwartz describes it as an important and (until now) Book Supplement and, in the Review Section, reviews of exhibitions, coverage of the Tokyo Print Biennale, a Paris
unpublished latter-day statement. On March 26,1961, letter, Investment in Art, and the regular International Gallery Guide.
Duchamp took part in a symposium moderated by
Katharine Kuh, which was held at Philadelphia
Museum College of Art. The holograph records his
statement on that occasion. Also taking part were
Louise Nevelson, Larry Day and Theodoros Stamos.
We regret that, in common with other magazines, the rise in paper, postage and production costs makes it necessary
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