Page 39 - Studio International - April 1973
P. 39

(Left)
                                                                                                            Boccioni
                                                                                                            Study for The City Rises  1910
                                                                                                            Tempera on board
                                                                                                            17.5 x 30.5 cm.
                                                                                                            Coll. Mr and Mrs Eric
                                                                                                            Estorick
                                                                                                            (Below)
                                                                                                            Carrà
                                                                                                            Aeroplane reconnaissance-Sea-
                                                                                                            Moon + 2 Machine guns +
                                                                                                            North-East Wind 1914
                                                                                                            Collage
                                                                                                            27 x 37 cm.
                                                                                                            Coll: Galleria Annunciata,
                                                                                                            Milan


















        ideologies hitherto insufficiently widespread   memory of Roman greatness be cancelled by an   Italy. Anticlericalism and antisocialism. Cult of
        among the masses. But the war was also an acid   Italian greatness one hundred times greater.'   progress and of speed, of sport, of physical force,
        test for the reformist socialists who, though still   None the less, the substance of both   of fearless courage, of heroism and of danger,
        in the Socialist Party, were in fact already   D'Annunzio's and Marinetti's attitudes   against the obsession with culture, classical
        within the ideological sphere of the bourgeoisie.   coincided as they did with those of Pascoli,   education, the museum, the library, and antique
        Many of them either willingly slid into direct   Corradini and the anarchosyndicalist Labriola.   remains . .' But with the war, Marinetti was
        collaboration or into a sort of moral consent to   Nationalism was the glue that stuck together   able to reaffirm yet another of the futurist
        the Giolitti government's decision to wage war.   everything and everybody, futurists and   theses, the positivist view of progress and the
        But on this occasion even the revolutionary   `nostalgicists' alike, over and above every   future of a technological civilization. It was
        syndicalism inspired by Sorel showed itself   divergence, whether literary, political or   indicative that Milan was the real capital of
        threadbare; and Arturo Labriola, one of its   philosophical.                        Futurism. The city was in those years the centre
        most representative exponents, maintained that   In October 1913 Marinetti repeated his   of strong industrial growth, and hence the place
        colonialism and syndicalism could perfectly   theses in a Programma politico futurista, 'Foreign   where the futurist praise of the machine, of
        well go together.                         policy, cynical, astute and aggressive — Colonial   modernism and of speed, made more sense than
          In the literary campaign, D'Annunzio was in   expansionism — Libertism — Irredentism (the   elsewhere in the peninsula. But it is also clear
        the front rank with his 'songs of overseas' calling   reclaiming of the unredeemed Italian territories,   that this eulogy would finish by identifying
        into play a vast armament from Greco- Latin-  notably Fiume. Tr.) — Panitalianism —Primacy of    with the programme of the more active and
        Italic mythology, with no lack of the 'martial                                      unprejudiced bourgeoisie of Lombardy and the
        eagle', 'mare nostrum', 'The Libyan Sibyl',                                         North in general; these, for evident reasons, had
        Goffredo di Buglione 'the palladin of the gun                                       wanted the war in Africa and were ready to join
        carriage' and other rubbish. 'Paradise is in the                                    in the game for the First World War, unlike
        shadow of the sword,' he sang in Dantesque                                          the more uncertain, backward and fearful
        triplets. With rather less tawdriness, Marinetti,                                   landed-bourgeoisie, hesitant to take any risks,
        on the other hand, in the manifesto launched                                        unaware of the immediate benefits that interested
        on the outbreak of hostilities, hailed the Libyan                                   the industrialists of Northern Italy. The
        war as a 'great futurist hour', proclaiming with                                    optimism and positivism of Marinetti's
        the aggressiveness that was to become                                               Futurism had its roots here. This is why
        increasingly a characteristic trait of his political                                Mafarka, as Marinetti said, gave birth alone to
        manifestos : let there to the individual and                                        the 'mechanical bird'. This is why out of
        the people be conceded every liberty except that                                    decadent symbolism came the machine with its
        of being cowardly. Let it be proclaimed that the                                    shining fascination, its cold and simultaneously
        name Italy must dominate world liberty . . .                                        thrusting ardent energy. Yet it is precisely this
        Today Italy has for us the shape and power                                          origin that preserved within futurist
        of a beautiful dreadnought with its flotilla of                                     technological pathos an irrational thrust.
        torpedo-boat islands. Proud of feeling equal to                                       If the futurists were at the head of the
        the warlike fervour which animates the whole                                        interventionist campaign, it remains a fact that
        country, we urge that Italian government at last                                    the wave of nationalism swamped social-
        to become futurist, to enlarge all national                                         reformists, idealists, Catholics and mystics alike,
        ambitions, disdaining the stupid accusations of                                     as it swept outwards from the war in Libya. It
        piracy and proclaiming the birth of                                                 was not, however, a purely Italian phenomenon.
        Panitalianism.' In this manifesto there had to be                                   Nationalism among intellectuals was
        an anti-D'Annunzio sally: 'Let the fastidious                                       incandescent throughout Europe, not least in
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